Black Rabbit, White Rabbit

A film armorer suspects a fake firearm is real. An actor arrives on set demanding a role. A car crash victim fears her accident was deliberate. Three seemingly disparate stories weave into an enigmatic whole, with flowing, expertly choreographed takes, no small amount of droll humour and flashes of magic realism punctuating Iranian director Shahram Mokri’s playful, subtly provocative meta-mystery.