Dyke Dreams

Dyke Dreams (2024), shot on 16mm analog film, takes the form of an erotic commercial that gradually transforms into a horror movie, where the characters claw their way through each other’s bodies. The work draws inspiration from Kenneth Anger’s Kustom Kar Kommandos (1965) and can be seen as a tribute to his iconic piece. The film touches on the local oil industry, the Americanization of Norwegian culture, and queer loneliness. It plays with a fictional historical oil past in Stavanger, blurring the lines between reality, dreams, and fiction.