Venice Gap-Financing Market 2024 to Showcase 61 Global Film Projects

1 July 2024 | Source
The 11th Venice Gap-Financing Market, held from August 30 to September 1, 2024, will feature 61 global projects in the final stages of development and funding. Part of the Venice Production Bridge during the 81st Venice International Film Festival, this event offers one-on-one meetings with international decision-makers, supporting diverse film and immersive projects.

The Venice Gap-Financing Market, a cornerstone event of the Venice Production Bridge, will hold its 11th edition from August 30 to September 1, 2024. This significant three-day event will run during the 81st Venice International Film Festival, scheduled for August 28 to September 7, 2024.

This year, the market will showcase 61 projects from around the globe, all in the final stages of development and funding. These projects were selected from nearly 320 applications, reflecting a broad spectrum of backgrounds, stories, aesthetics, genres, and budgets. The market is recognized as a crucial event for the film and immersive industries, facilitating crucial connections between project teams and international decision-makers.

In 2024, the Venice Production Bridge will spotlight Luxembourg, Wallonia-Brussels, and Japan. This focus is supported by Film Fund Luxembourg, Centre du Cinéma et de l’Audiovisuel, and JETRO, respectively.

The selected projects are categorized as follows:

  • 34 feature-length fiction and documentary projects, including 6 VPB Focus projects.
  • 16 immersive projects, including 4 VPB Focus projects.
  • 8 Biennale College Cinema - Immersive projects.
  • 3 Biennale College Cinema projects.

Selected Fiction and Documentary Projects:

  1. A Sweetness From Nowhere (Sweden, Norway) / Ester M. Bergsmark
  2. AMA (Luxembourg, France, Japan) / Yuki Kawamura - Focus on Luxembourg
  3. Amoeba (Singapore, The Netherlands, France, Spain) / Siyou Tan
  4. Becoming Ema (Denmark, Spain, Slovakia) / Patricia Drati
  5. Better Class (Spain) / Victor García León
  6. Black Water (Poland, Finland, Estonia) / Aga Woszczyńska
  7. Cuba & Alaska (Ukraine, France, Belgium) / Yegor Troyanovsky
  8. Death Has No Master (Venezuela, Canada, Italy, Luxembourg, Mexico, Spain) / Jorge Thielen Armand
  9. Dengue (India, France, The Netherlands) / Prantik Basu
  10. Devolution (Belgium, Italy, Poland) / Nicolas Boucart - Focus on Wallonia-Brussels
  11. Dust (Belgium, Greece, Poland, United Kingdom) / Anke Blondé
  12. Global Project (Portugal, Luxembourg) / Ivo M. Ferreira
  13. Golem (Czech Republic, France, Slovakia) / Jiří Barta
  14. If I See a Rainbow (China, France) / Zhao Hao
  15. In Alaska (The Netherlands, Canada) / Jaap Van Heusden, Vinnie Karetak
  16. Jealous White Men (Argentina, Portugal, Italy, Brazil, Germany) / Ivan Granovsky
  17. La Baleine (France, Spain, Belgium) / Sylvère Petit
  18. Last Night I Conquered the City of Thebes (Spain, Portugal) / Gabriel Azorín
  19. Legítima (Mexico) / Elisa Miller
  20. Love Before Sunrise (Taiwan, Japan) / Chen-Ti KUO
  21. Marie & Jolie (France, Tunisia, Qatar) / Erige Sehiri
  22. Movie Kintsugi (WT) (Japan, Germany) / Eva Knopf - Focus on Japan
  23. No Good Men (Germany, France, Norway, Denmark) / Shahrbanoo Sadat
  24. The Blood Countess (Austria, Luxembourg, Germany) / Ulrike Ottinger - Focus on Luxembourg
  25. The Good Life (United Kingdom) / Matt Winn
  26. The Isle of the Demoiselle (Belgium, France, Canada) / Micha Wald - Focus on Wallonia-Brussels
  27. The Life of Simon Jashi (Georgia, France, Lithuania) / Dmitry Mamuliya
  28. The Magic City (Belgium, France, Sweden) / Pablo Guarise, Guillaume Maupin - Focus on Wallonia-Brussels
  29. The Reserve (Argentina, Spain, Mexico) / Ezequiel Yanco
  30. The Station (Yemen, Jordan, France, The Netherlands, Germany, Norway, Qatar) / Sara Ishaq
  31. Theft of Fire (Canada, Palestine, France) / Amer Shomali
  32. Three Black Nights (Chile, Spain) / Theo Court
  33. Tristes Trópicos (Austria, Argentina) / Gastón Solnicki
  34. Twins (Ukraine, Poland, The Netherlands) / Eva Neymann

Selected Immersive Projects:

  1. 275 Milion Births and Deaths (Belgium, The Netherlands) / Zam Zadeh
  2. A Cure for Straightness (USA, France) / Cameron Kostopoulos
  3. Body/Memory (Germany, Italy) / Stefano Casertano
  4. Collective Body (France, USA) / Sarah Silverblatt-Buser
  5. Demaré, A Sensory Journey into the Depths of the Ocean (Brazil, Argentina, Germany, Austria) / Emilia Sánchez Chiquetti
  6. Dysmorphia: Playing with Reality (France, UK) / May Abdalla, Barry Gene Murphy
  7. First Virtual Suit (Japan) / Kazuki Yuhara - Focus on Japan
  8. Harvest (UK) / Matt Shaw, William Trossell
  9. Lalalabyrinth (WT) (Germany) / Pedro Harres
  10. Museva (Belgium, France) / Sergio Ghizzardi - Focus on Wallonia-Brussels
  11. Resonanz (Germany, Denmark) / David Adler, Ioulia Isserlis
  12. Tachychronia (Luxembourg, Canada) / Gwenael François - Focus on Luxembourg
  13. Tempus Alterna (Luxembourg, Canada) / Nimrod Shanit - Focus on Luxembourg
  14. The Ancestors (The Netherlands) / Steye Hallema
  15. Tiny People: Prologue (USA, Brazil) / Ricardo Laganaro, Marcelo Marcati
  16. When Brooklyn Was Queer (USA, Australia) / Yasmin Elayat, Wadooah Wali

Selected Biennale College Cinema - Immersive Projects:

  1. Edifice (Germany, USA) / Andreea Ion Cojocaru
  2. Eporia, The Mountain Mermaid (South Africa) / Kirstin Lee Grey Erasmus
  3. Kitchen of Memories (USA) / Mattia Casalegno
  4. Library of Dreams (Georgia, Germany) / Jane Rzheznikova
  5. Mnemosyne (China, Japan) / Wuer
  6. Mons Venus (Argentina) / Paula Orlando
  7. Proprioceptive Memory (Australia) / Ben Joseph Andrews, Emma Roberts
  8. Unscrolling the Truth (Poland, India) / Joanna Murzyn

Selected Biennale College Cinema Projects:

  1. Dog Days of Summer (Italy) / Camilla Carè
  2. Jaysan (Kyrgyzstan) / Aisha Sultanbekova
  3. The Forest (Hungary) / Bálint Kenyeres

The Book of Projects, which details each selected project, will be available online in the second half of July. Accredited film industry professionals can request one-on-one meetings with the project teams through the Venice Gap-Financing Market’s dedicated area on the Venice Production Bridge website.

AD